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The Photo-Secession was an early-20th-century movement that promoted photography as a fine art in general and photographic pictorialism in particular. A group of photographers, led by Alfred Stieglitz and F. Holland Day in the early 1900s, held the then controversial viewpoint that what was significant about a photograph was not what was in front of the camera but the manipulation of the image by the artist/photographer to achieve his or her subjective vision.
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